Rev Up the Conflict Engine
Conflict fuels story

Conflict is the engine that keeps a novel moving forward. Without it, even the most beautifully written paragraphs begin to feel like a furniture catalogue.
One of the most effective habits you can develop as a writer is getting your characters into trouble early and often. Trouble forces characters to reveal who they really are under pressure, which is far more interesting than watching them calmly sip coffee while reflecting on their childhood.
Here’s an example from my debut novel, Kenora Reinvented:
Mitch growled, punched the stop button on my digital recorder then leaned in. Our faces were a hand span apart. His oniony breath turned my stomach. I clasped my fingers in my lap to hide their shaking and held his gaze, even though I wanted to bolt after Ferris.
"No can do, Rosie. Money's gone. Invested, snorted, bet, spent, excedera. Nothin’ you can do." He stepped back and cracked his knuckles. When he noticed me wincing, he smirked and did them again, one joint at a time. "Even if you call the cops, they don't care about white-collar crime…”
A strong novel depends on creating tension arc throughout the story rather than relying on one dramatic moment near the end. Readers stay engaged when problems evolve, consequences deepen, and emotional pressure steadily increases. The key, however, is keeping scenarios believable. Readers will accept remarkable events if the characters react authentically and the chain of cause and effect remains grounded.
Many writers assume suspense requires explosions or international spies planting ticking time bombs, but creatively raising the stakes without gunfights and car chases often produces more compelling fiction. A failed marriage proposal, financial ruin, public humiliation, or the threat of betrayal can carry enormous emotional weight. Quiet disasters are still disasters.
This is where building strong characters becomes essential. Readers invest in conflict when they care about the people experiencing it. One useful technique is using external factors to create decision points. Deadlines, family pressure, workplace politics, or unexpected opportunities can corner characters into difficult choices. Once characters are forced to choose between competing needs, conflict stops feeling manufactured and starts feeling inevitable.
Recent Posts










